Fight Club Analysis Movie Review Example | Topics and Well Written Essays - 750 words

Fight Club Analysis - Movie Review Example (Fight Club 1999); when he mentions the growing relationship between Tyler and Marla; and when he talks about the destructiveness of Project Mayhem. But in many cases too, words of the actual actors take over. In some places, especially where the narrator is talking, the dialogues are brief and to the point, just added to move the story forward at that particular point in time. Take for instance the opening scene at the support centre for men with testicular cancer where Bob Paulson, weeping, chips in a question to the protagonist, 'Are we still men' (Fight Club 1999), while the protagonist/narrator's voice, is telling the story in the background. In other scenes in the movie the dialogues are longer, starting with the time the protagonist meets Marla Singer, and discovers that she is faking her reason for being at the therapy session. They hold a conversation after the session. Other longer dialogue scenes include when the narrator meets Tyler Durden, the time the Fight Club begins, and the scene in the bathroom where the narrator and Tyler have a talk. For the fighting in the film, the actors were expected to show real fighting skills. Light and Colour Fight Club has good art direction (Linson 2004). The director, David Fincher, gave a vivid effect to the colour. As a result of this, people appear kind of shiny. Colours were also added to some nighttime shootings. A Super 35 format was used in shooting Fight Club. The narrator's scenes without Tyler Durden, the scenes are casual to look at. Those scenes which have Tyler in them have more visual effects, looking more real than is normal. Many parts of the film were shot at night, while those that were taken during the day... Giroux, H. A. (2001). "Brutalized Bodies and Emasculated Politics: Fight Club, Consumerism, and Masculine Violence", Breaking in to the Movies: Film and the Culture of Politics. New York, Blackwell Publishing Limited, 258-88